"no more room in hell" began with initial research conducted at the archive of horror director George A. Romero (Dir. Night of the Living Dead) housed at the University of Pittsburgh. Extending research beyond the archive, the film examines the implications of zombiehood in relation to industry, late techno-capitalism, and apocalyptic realities. The experimental cinematic work models itself after Romero’s cult classics which birthed the American cinematic zombie against the industrial backdrop of Western Pennsylvania.

sonically, this project had two main focuses—zombies and industrialization. this meant capturing the very organic sounds of the flesh zombie, while bridging this to the hyper technological sounds of the industrial, and now computerized, zombie. by producing loads of new sounds and compositions and heavily modifying source material from the romero archives, we were able to reach a sonic compromise between the two seemingly different sides of the project.